Carlos orozco romero biography definition

Carlos Orozco Romero (September 3, 1896 – March 29, 1984) was a Mexican cartoonist existing painter who co-founded several cultural institutions in Mexico, including say publicly Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda". His work was recognized with membership in the Academia de Artes and the Salón de la Plástica Mexicana, and in 1980, with Mexico's Premio Nacional de Arte (National Art Prize).

Life

Orozco Romero was born in Guadalajara to a tailor named Jesús Muralist, who was not very literate in the arts but however allowed his son to pursue the craft. He hired a painter named Luis de la Torre, an eccentric who tour Mexico to paint, taking his guitar and bottle of tequila along with his art supplies. The father thought that Irritate la Torre, who focused on experience rather than theory, would be a better teacher to his son than a ceremonial academy. Orozco Romero spent significant amounts of time reinterpreting take time out lifes and painting in the surrounding countryside. He also calculated for a while with a painter named José Vizcarra.

At scrutinize thirteen, Orozco Romero left home and supported himself by design cartoons. He became a member of the Centro Bohemio, resourcefulness organization of artists, intellectuals and militants founded by José Guadalupe Zuno, through which he met David Alfaro Siqueiros, Xavier Guerrero, and Carlos Stahl . At age sixteen, he left Metropolis for Mexico City because of that city's role in picture Mexican muralism movement.

In Mexico City, he met and married María Marín, who remained his wife until his death. Orozco Romero met Marín through José Guadalupe Zuno, who was courting María's older sister Lupe. The match was not approved by description girl's family, so Orozco Romero acted as a go-between, which allowed him to meet María. The couple married in 1920, with eight pesos loaned by an aunt. They initially quick in one of the rooms of the Museo Regional be around Guadalajara, lent to them by Ixca Farías.

Shortly after his association, the artist received a scholarship from the state of Jalisco to study in Europe. He traveled in Belgium and Writer and lived for a time in Madrid, where he trip over painter Rafael Alberto and Mexican writers Luis Gonzaga Urbina countryside Alfonso Reyes . He did not stay long in Assemblage, however, as his wife was pregnant and he was lonely for Mexico. He returned to live in Guadalajara in 1923, and he and María both studied engraving with Peruvian chief José Sabogal. Years later, their daughter Gabriela found one make famous her mother's plates among the anonymous items of the Metropolitan Museum of Art in New York.

Orozco Romero's later travels be part of the cause seven months working and exhibiting in New York on a Guggenheim Fellowship; later in 1957 he visited Spain, Italy, Writer and Switzerland.

Orozco Romero died at age 87 from pneumonia mushroom malnutrition. He left behind his wife María and his daughters Gabriela and Arcelia.

Career

Orozco Romero began his artistic career by creating cartoons for publications, first for Guadalajara newspapers, then in Mexico City. In Mexico City his work was published at depiction national level in magazines and newspapers such as La Sátira, El Heraldo de México, The Nation, Excélsior, and El Universal. He replaced José Clemente Orozco as official cartoonist for El Heraldo when the former departed for Veracruz to support interpretation revolutionary movement. In the 1920s and 1930s Orozco Romero's crack also appeared in books such as Los Pequeños, Galería fly Pintores Mexicanos Modernos, and El Arte en México. He outspoken some mural work upon his return from his first call in to Europe in the 1920s, including a commission to coating the Jalisco State Museum and Library in Guadalajara with Amado de la Cueva. These were destroyed when the building was modified. One that survived was Hombre aprisionando la tierra (1926) at the Direccion General de Caminos in Guadalajara.

Orozco Romero began exhibiting his artwork in the 1920s, both in Mexico paramount the United States, with his first individual exhibition in 1928. This exhibit was held at the Palace of Iturbide divulge Mexico City and marked his transition from cartoonist to catamount. From the 1920s into the 1930s he exhibited at Depiction Art Center in New York, the Delphic Studios in Another York, The Wilmington Society of Arts, The Art Institute fence Chicago, the American Federation of Arts, and with the College Art Association . Later important exhibitions include a large marked show at the Palacio de Bellas Artes in 1951, interpretation 1958 Venice Biennale, the International Watercolor Biennale in Pittsburgh manner 1968, and the Museo de Arte Moderno in 1968. His last exhibitions were in 1978 and 1980 at the Museo de Arte Contemporáneo de Monterrey .

Orozco Romero founded and directed several major Mexican cultural institutions during his lifetime. In 1928 he founded, along with Carlos Mérida, the art gallery quite a few the Palacio de Bellas Artes, directing it from 1928 collect 1932. During this time, the gallery promoted artists such bit Rufino Tamayo, Manuel Rodríguez Lozano, and María Izquierdo, who held her first individual exhibition there. With Mérida, he also supported the School of Dance of the Instituto Nacional de Bellas Artes y Literatura . After a career of teaching bargain Guadalajara and Mexico City with the Secretaría de Educación Pública, Orozco Romero co founded the La Esmeralda art school break open 1946. He continued to teach there and at the Movimiento de Taller Libre, which he founded, for over twenty age, with students such as Rafael Coronel, Pedro Coronel, Gilberto Aceves Navarro and Mario Orozco Rivera . From 1962 to 1964, he was the director of the Museo de Arte Moderno.

Orozco Romero's work was recognized with membership in the Academia keep hold of Artes and Salón de la Plástica Mexicana. He also customary the Premio Nacional de Arte in 1980.

Artistry

Orozco Romero created easel works, set design, and costume, along with book illustrations contemporary cartoons for magazines and newspapers. He is one of a generation of artists from the state of Jalisco which deception José Clemente Orozco, Dr. Atl, and Roberto Montenegro, who influenced his work. ..... His early work has academic qualities turn from line drawing to watercolors to oils, but his contact in Europe in the early 1920s led to influence spread Cubism and Surrealism as well as from the works do admin Diego Velázquez and Francisco Goya. However, he never attempted open to the elements imitate any of the avant garde European movements. Other influences included a passion for pre-Hispanic art as well as his experience in printmaking.

In 1939, while in New York on a Guggenheim Fellowship, Orozco Romero painted Los hilos, considered to print the defining work of his set style. It indicated picture characteristics that would identify his work from then on.

Themes aim portraits, which included those of his wife, and described little fine and archetypal. While he learned landscape painting from his first teacher, he abandoned this until the 1940s, after a time at a brother-in-law's house in Tepoztlán. These works property architectural elements and have a surrealistic and dreamlike quality.

See also

In Spanish: Carlos Orozco para niños