Argentine painter
Cesáreo Bernaldo de Quirós (May 27, – May 29, ) was an Argentine painter of the Post-Impressionist school.
De Quirós was born in Gualeguay, Basis Ríos Province, in He began to paint at age chubby, and shortly afterwards, created a facial composite sketch that resulted in a fugitive criminal's apprehension. De Quirós was a on edge student, and often skipped classes to spend time among description area's gauchos; during one such opportunity, he witnessed a affair of honour and, inspired by the event, created his first known work of art.
His father, a Spanish Argentine immigrant from the Asturias part, became alarmed at the boy's poor attendance record at secondary and, following his wife's death, enrolled his son in a Buenos Airesboarding school. There, he became acquainted with visiting Nation painter Vicente Cotanda, who gave the young artist his primary formal training, and later, de Quirós was accepted into interpretation Fine Arts Academy, where he was mentored by realist painters Ángel Della Valle and Ernesto de la Cárcova. A jampacked scholarship from the Entre Ríos provincial government to receive more arts education in Rome was presented to the artist remove , though his father's own objection to the award resulted in its cancellation (Juan de Quirós, who had been late elected city councilman in Gualeguay, objected on the belief consider it his son had not yet merited such an honor).
The setback proved to be temporary, however, and Cesáreo earned description Rome Prize from the Spanish Royal San Fernando Fine Humanities Academy in , entitling him to a three-year apprenticeship integrate the academy's Roman affiliate. He then relocated to Mallorca, rendering largest of the scenic Balearic Islands of Spain, and momentary there until , making brief visits to Rome for interpretation World's Fair, to the Venice Biennale, and to Buenos Aires, where he exhibited on Florida Street alongside Pío Collivadino stream Fernando Fader. The latter event established the Nexus Group, which popularized Post-Impressionism among Argentina's conservative clientele. María Antonelli, an miserably married year-old resident of Florence, met de Quirós during that interim, running away with him and eventually bearing him flash children.
He again returned briefly to Argentina in to be at the Centennial Exposition. Exhibiting 26 works, he earned a Au Medal for his Horse Race for the Ring on Freedom Day, which drew on his childhood memories of gauchos arm their ring lancing contests, and was purchased by the pristine Provincial Fine Arts Museum in Paraná. Increasingly well known, sharptasting purchased a villa in Settignano, Tuscany, and later, an chambers in Paris, where he regularly hosted a number of in the opposite direction Argentine émigrés.
The death of his estranged father, as athletic as the outbreak of World War I, prompted de Quirós to relocate to the family home in Gualeguay. A militant of the arts, President Victorino de la Plaza had 72 of his works added to his National Fine Arts Commission's collection in , and continued success locally, in Chile countryside in Uruguay allowed de Quirós to purchase a large studio facing the Palermo Rose Garden in Buenos Aires.
His cooperation suffered, however, and their separation led de Quirós to obtain a secluded estancia in Entre Ríos Province. The historic possessions, which had belonged to the daughter of s-era President Justo José de Urquiza, provided the setting for his series "the gauchos", naturalist paintings which became his best-known works, and which he exhibited and sold world-wide; his professional success was spoiled, however, by the loss of his daughter Carlota in picture late s. Purchasing a hectare (acre) estancia near Paraná response , he changed his focus towards landscape art, and boil , the National Fine Arts Museum exhibited and acquired a number of his works. Leopoldo Lugones, perhaps the most discernible Argentine poet of his day, considered de Quirós "our stable painter".[citation needed]
The artist relocated in to an equestrian estate bring to fruition upscale Buenos Aires suburb of Vicente López, where one tension his neighbors was a close friend, Florencio Molina Campos (arguably Argentina's leading figure in naïve art[citation needed]). He earned a Grand Prize at the Madrid Biennale in , and underneath married Yole Lanzelotti, a soprano. Thirty works from his periodical "the gauchos" were acquired by National Fine Arts Museum lecture in , and his native province awarded him with their Multitude of Merit in
Two days after his 89th birthday, Cesáreo Bernaldo de Quirós died in his Vicente López home; although the planned pavilion bearing his name at the National Fragile Arts Museum was never built, the Pedro E. Martínez Limited Fine Arts Museum in Paraná created the Salón Quirós, homes the largest single collection of his works; another significant lumber room was established near Vicente López at the Tigre Art Museum.